Five Poems
Kathleen Gregg

Hooting Season
Two Great Horned Owls perch
on a bare black limb, silhouetted
against a purple and ochre sunset.
Some imperceptible signal travels
between them, and as one, they stretch
their white feathered throats,
let loose a series of eerie primal calls,
like the sound of wind howling
through a canyon. They vocalize
again and again. A mated pair, their
synchronized duet signals
territorial claim, lusty devotion.
Other owls hoot back, acknowledge
the message. And the forest echoes
echoes
echoes
Caught in the Current
She slumps on the couch, stares
out the sunroom windows
as the rain layers on leafy branches
and plumed grasses, sagging them down.
Monotonous sprawl of gray, so thick
sunrise looks like blood smeared
on opaque glass.
She used to love a rainy Saturday,
laziness without guilt, the two of them
drifting through old jazz albums,
the soothe of a steady downpour. How
her husband would curl her body
against his chest, kiss her hair, her lips.
Defined muscle beneath a flannel shirt
that might wear last night’s cologne
and the salty scent of his skin.
She would sniff him like a cat.
Damn the disease
that was like raging floodwater,
too strong to fight, sweeping him
away. Her love is gripped
by that undercurrent, still. And still,
rain spills down the windowpanes.
Now, to her, the sound of goodbye.
Pecking Order
Blackbird has figured out how to climb the pole that dangles the birdfeeder, how to balance with wing flaps and claws dug into the mesh, how to tap his beak into one of the openings and eat his fill of black oil sunflower seeds. A few fellow blackbirds imitate their alpha’s acrobatics. Others scavenge for seeds ejected upon the ground. Iridescent feathers glisten in the morning sunshine. Idyllic. Then different birds swoop in, wait for their turn at breakfast. Blackbirds flap at, peck, shoo away cardinals, chickadees who have dared to land on Alpha’s birdfeeder. I think, Hey you, this is my birdfeeder. I run at them. Clap, shout, wave my arms. Watch them scatter onto treetops, internet lines, our roof. Hands on hips, I shriek, How does it feel, jerks? Waste of my energy. They flutter back, like a taunt, and resume their feast.
Heedless, determined,
they could be politicians.
Survival by greed.
In the Footprints of Ophelia
Crystals of sunlight glimmer
the polished surface of the lake.
Its stillness lures her, like
the emptiness of a blank slate.
She writes with liquid longing, lines
of despair that get hooked and tangled
in the wreckage of betrayal. She slumps
at the shoreline, her sweater wadded
next to her. Warmth rejected. The cold
stings her bare arms. She pictures
her skin, white with frost, how the pain
will still flicker against the walls
of her heart, how only the lake
can douse her burning.
A Matter of Vision
I walk into the garage and detect
a squeak, a soft whirr–a hummingbird,
lured inside by the red silk kite draped
on one wall. Cornered in unfamiliar territory,
the bird lacks a blueprint for escape.
Double doors are open to a breeze swirling
with the scent of flowers. The sky awaits.
Yet, this iridescent shimmer flaps
in a hopeless loop from nailed-up hula hoops
to the culpable kite and back again.
The farther inside I inch, the more frenzied
its flight. I murmur soothing words,
slink my way to the window and open it.
The breeze is instantly sucked through
the garage and out: a clear exit. I tiptoe
outside, watch with relief as the bird
drops down into that blossom of air
and drinks its freedom.
About the Author
Kathleen Gregg is the author of two poetry collections, Soliloquy to the Night Sky and Underground River of Want. She studied with former Kentucky Poet Laureate Jeff Worley at the Carnegie Center’s Author Academy. Kathleen and her husband Charlie, live on five acres outside Wilmore, Kentucky. She is an active member of the Kentucky State Poetry Society, having served as treasurer for four years. Her poetry has appeared in The Louisville Review, Pine Mountain Sand & Gravel, Coming of Age Anthology Vols 1 & 2 and Yearling, to name a few.

