Four Poems
Shelda Hale

Dandelion Daughter Song
I am the sturdy weed
the first bouquet for Mothers
praise me
worship me
my leaves in a salad nourish
my blooms are the first
to herald Spring
I thrive, thrum tunes
for ants to dance
grasshoppers to hum
my Sun star loves me,
calls me by my ancient name
what other plant soul
bears feather furls
invites children to purse
lips? blow wispy wishes?
their breaths fly me
above concrete cracks
where I’ve clung so long
I, Dandelion Child
of hardscrabble hours
of government housing
tenant farms
abandoned playgrounds
along rutted, dirt roads
of trailer park towns
around tired Ohio riverbanks
rickety railroad ties
rusted steel bridges
I, Daughter of Dust, carried
on frayed farmers’ pants cuffs
to empty peeling, red tobacco barns
to clay-packed paths, gray
leading to slick cave floors
of limestone cliffs
of haunted church yards
below sinking flood walls
of lonely graves resting
beneath bright yellow blankets
Museum Life
Voice nearly a whisper
sticky as the ball of dough
that fills my palm
my sister speaks
from her flip-phone. She frets
over every slight done her,
as I pinch this dough, her life
stretchy as this ball
I roll, takes on whatever shape
it’s placed in—round
or square or flat
like this soft mass between
my fingers. Her days
catalogued with nothing
to hold her, to show
which way to go, nobody
to help, she says. Her pain
not smooth like the rising skin
of this brioche—but cracked,
neighbors not to be trusted, her woodcuts,
ink drawings, paintings, abandoned
as she was by her husband,
as if she lives in a museum with ghosts,
drapes drawn, lights dimmed
to the least wattage possible
to preserve the art that’s left.
My nails press the dough that, alive,
pushes back. Her words die
another death.
Garden Song
Clematis, stubborn teacher
whose tendrils anchor, twiggy
& parched, bare, seem dead
but her new leaves above
are green flames of hope
I lift her tiny purple smiles
to the arch's next level
imagine her earthy sigh
Ahhhhh
long to pull her viny bones
to coil up the trellis, guide her,
but No! she seems to whimper
I release each spring bundle
straining toward the arch top
leave well enough alone
Prayer in My Pocket
For the tow-headed boy
who tricked the town doctor
into paying fifty cents
for a false-bottom basket of dandelions
pulled from his front yard
For the blue-eyed boy perched on the gate
almost kicked out from under him
by big brothers playing posse
who rounded him up, ready to hang him high
until Granny looked up from washing dishes
For the teen with the gold-capped tooth
who lied about his age to join the Navy
who tucked crisp dollar bills into his shoes
got caught, found himself in the brig,
scared and shipbound in Singapore
For his dog, Dixie, who tramped the hills for rabbits
as dad breathed the cold fall mist, toting his 22
how warm his old hunting jacket
how soft his blue flannel shirt
how sad his rusted, red Chevy pickup
now claimed by mud daubers
For the phone he used the night he called
and his tears I couldn’t wipe away
and the hurt in his voice that choked
no awards or trophies or ribbons
I could’ve been something
I know I could’ve been something
For the children and the wife who depended on him
the night classes for his electrician’s license
the black lunch box kept on top of our Frigidaire
the Millwright Union journeyman’s card
the gray cotton workpants with wide cuffs
the steel-toed boots waiting by the back door
For every honest morning faced and faced
and every scar earned
and every child kissed
turning over in sleep
About the Author
Shelda Hale is a Kentucky native who writes poetry, fiction and creative nonfiction. Her poetry has appeared in Coming of Age: Writing & Art by Kentucky Women over 60 (Vol. 1 and 2), The Heartland Review and The Last Stanza Poetry Journal. She is the former state director of ELL and Immigrant Education at Kentucky Department of Education. She enjoys bird watching, photography, bookmaking and preparing international cuisine for family and friends.

